Friday, January 14, 2022

Inventory of Marinduque's cultural property; summary list and fast-facts (Part 9)

  Summary List and Fast-facts on new entries in the inventory of Marinduque's Local Cultural Property.




                                           Malbog Sulfuric Hot Spring

Location: Brgy. Malbog, Buenavista, Marinduque



PANGALAN NG ARI-ARIANG KULTURAL (Name of Cultural Property)

OPISYAL NA PANGALAN (Official Name):

42.     MALBOG SULFURIC HOT SPRING

KARANIWANG PANGALAN (Common Name):

          Malbog Sulfuric Hot Spring

LOKAL NA PANGALAN (Local name):

          Malbog Sulfuric Hot Spring

 

During the American occupation of the island, soldiers of the 13th U.S. Infantry stricken with dysentery were transported to Buenavista simply due to the fact that “there is a large effervescing sulphur spring which has quite a traditional reputation among the natives of the community”.

In the Philadelphia Medical Journal published in 1903 Dr. T.H. Weisenburg, who served as a surgeon in the U.S. Army during the pacification campaign in Marinduque wrote: “It is said that drinking of this water would stop diarrhea of any kind. It is possible even now to buy water from this spring in any drugstore in Manila”. Literature on the treatment of tropical dysentery with sulphur was very limited during that period.

According to Weisenburg’s account he had three acute cases and about fifteen chronic amebic dysentery cases, and with all medications withdrawn, were “made to drink the sulphur water exclusively and given a bath in the sulphur spring every morning”. Immediate improvement was noticed in two of the patients, he wrote. Eventually all were cured in periods that varied from three to six weeks after treatment was begun. (Except one who vomited the sulphur, was put back on medicinal treatment, but was found out to be a “Vino fiend” and was subsequently sent to Manila).

During the Spanish and early American occupation, water from this hot spring was sold in bottles and was labeled “Agua de Boac”. It could be taken internally as a cure for dysentery or applied externally for skin disorders. Anacleto del Rosario, a leading pharmacist and chemist during the Spanish period who made a lot of analyses of mineral springs and medicinal waters in the country, also examined the chemical components of “Agua de Boac” and considered it comparable to other well-known curatives like “Agua de Carabana” and “Agua de Vichy” from Europe.

At the 1904 World’s Fair in New Orleans, Agua de Boac was included among the exhibits from the Philippines.

Aerial view, Malbog Sulfuric Hot Spring

The source.



Baltazar Lighthouse and Keeper's Dwelling

Location:  Baltazar Island (Tres Reyes Islands), Brgy. Pinggan, Gasan, Marinduque

OPISYAL NA PANGALAN (Official Name):

43.     BALTAZAR LIGHTHOUSE AND KEEPER’S DWELLING

KARANIWANG PANGALAN (Common Name):

          Baltazar Lighthouse

LOKAL NA PANGALAN (Local name):

          Parola sa Baltazar

 Baltazar Lighthouse was built during the American occupation between 1901-1903.

It was eventually ravaged by time and typhoons, but in 1954 RA 1144 was passed appropriating funds for lighthouse stations including the repair of the said Baltazar Lighthouse keeper's dwelling. 

The lighthouse was eventually rehabilitated through a 1991 deal with Japan's ODA Loan executed by MARINA. 

The lighthouse is an important navigational aid to maritime vessels traversing Tablas Strait that separates the islands of Mindoro, Marinduque and Romblon with Panay islands.

The keeper's dwelling apparently remained untouched. Picture taken in 2008, shows the structure damaged by typhoons/elements but later stronger typhoons destroyed the building.  It was the oldest American-built standing structure in Marinduque. No rehabilitation has been undertaken for the keeper’s dwelling.



Baltazar Island is right in the Verde Island Passage Marine Corridor and is home to new Sawshark species and underwater caves.

 

Azimuth Station Baltazar

Location: Baltazar Island, Brgy. Pinggan, Gasan, Marinduque


OPISYAL NA PANGALAN (Official Name):

44.    AZIMUTH STATION BALTAZAR

KARANIWANG PANGALAN (Common Name):

          None

LOKAL NA PANGALAN (Local name):

          None

 

Sample of Azimuth Mark.  Geodetic Survey Benchmark - Image Courtesy of National Oceanic and Atmospheric Administration and the Department of Commerce (USA)

 

AZIMUTH STATION BALTAZAR IS IN THE VICINITY OF THE LIGHTHOUSE AND KEEPER’S DWELLING

The defining geodetic azimuth (from south) to station Baltazar is  ao = 009° 12’ 37.000”, the ellipsoid of reference

 is the Clarke 1866 where: a = 6,378,206.4 meters, and 1/f  = 294.9786982.

 Azimuth Station Baltasar:

Station Balanacan (more popularly known as Luzon Datum), in Brgy. Hinanggayon, Mogpog had for its geodetic azimuth mark the Station BALTASAR (azimuth: 90 12' 37".00) located in Baltazar Island.  O.W. Ferguson established both stations with H.D. King as Chief Of Party. The historical documentation on the triangulation of the Philippine Islands gives the establishment of this Azimuth Station as 1906.

Background:

The U.S. Coast and Geodetic Survey (USC&GS) executed the earliest topographic work of significance from 1901-1942. Numerous local datums were established at “Astro stations” in various parts of the Philippines. But as the triangulation was extended to the central and southern part of the islands it was found necessary to establish a new datum, the Luzon Datum of 1911. It is defined by its origin near San Andres Point on Marinduque Island.

That point is at Station Balanacan where: Fo = 13° 33’ 41.000” North, Do = 121° 52’ 03.000” East of Greenwich, and the geoid/spheroid separation Ho  - ho = 0.34 meters. This is now identified as the geodetic center of the Philippines.

But it cannot exist without an azimuth. The defining geodetic azimuth (from south) to station Baltasar is: ao = 009° 12’ 37.000”, the ellipsoid of reference is the Clarke 1866 where: a = 6,378,206.4 meters, and 1/f  = 294.9786982. *

It was well controlled by 98 measured base lines, 52 observed azimuths, and 49 latitude and telegraphic longitude stations. The supplementary triangulation extended along the shores of bays and harbors and up rivers and creeks.

The defining geodetic azimuth (from south) to station Baltazar is  ao = 009° 12’ 37.000”, the ellipsoid of reference is the Clarke 1866 where: a = 6,378,206.4 meters, and 1/f  = 294.9786982.

The AZIMUTH MARKER in Station Baltasar  must be located (such a marker is, however, not mentioned in any of currently available literature, but only waiting to be discovered), of interest to cultural and geodetic authorities.

Source:  PE&RS Grids and Datums, August 1999 Issue - Philippines, by Clifford J. Mugnie

Historical marker for Azimuth Station Baltazar, and for the Lighthouse and Keeper’s Dwelling may be considered.These are all located in the same area of the island.

In addition, the island is known to be teeming with marine species being located within the Verde Island Marine Corridor and the presence of underwater caves.



View of Marinduque mainland from Gaspar Island.

Location: Gaspar I., Brgy. Pinggan, Gasan, Marinduque


1*

PANGALAN NG ARI-ARIANG KULTURAL (Name of Cultural Property)

OPISYAL NA PANGALAN (Official Name):

45.    GASPAR ‘HERITAGE ISLAND’

KARANIWANG PANGALAN (Common Name):

          Gaspar Island/Tres Reyes

LOKAL NA PANGALAN (Local name):

          Tres Reyes

Archaeology in the Philippines began in Marinduque. Prior to 1900, only one important archaeological investigation had been carried out in the country: the Antoine-Alfred Marche’s exploration of Marinduque from April to July 1881. According to anthropologist Henry Otley Beyer, while many other accidental discoveries and finds have been recorded from time to time and a few burial caves and sites had been casually explored by European and local scientists, no systematic work had been done anywhere else prior to these explorations. After Marche, the next important archaeological work was undertaken by Dr. Carl Gunthe in the Visayas Island Group in 1922.

Kalanay pottery complex ang ideya na ipinangalan ni Wilhelm G. Solheim II matapos niyang suriin ang mga pottery at earthenware sa Guthe Collection sa University of Michigan noong 1957. Nakolekta naman ang mga ito ni Dr. Carl Guthe sa Pilipinas sa pagitan ng 1922 at 1925.

Iminungkahi noon ni Beyer na ang mga koleksiyon mula sa Marinduque na nahukay ni Alfred Marche noong 1881 ay makikitang taglay ang mga katangian ng Kalanay complex pottery na natagpuan sa iba pang bahagi ng Pilipinas.

Ang mga paunang ulat tungkol dito sa mga unang lugar ay naisulat naman nina Fox at Evangelista, 1958.

Noong 1959 naman, si Arsenio Manuel, Pinuno ng Kagawaran ng Anthropology, University of the Philippines, ay naghukay sa maraming mga site sa Marinduque, na ang pinakamahalaga ayon sa panulat ni Solheim ay ang mga natagpuan sa Tres Reyes (Gaspar Island).

Aniya, “from partial stratigraphy and typology the contents of the Tres Reyes site have been divided into three groups. The middle strata (not well defined), nearly one and a half meters thick, contains a great variety of Kalanay complex pottery (Solheim 1959b: 103). Unfortunately, no report on this material has yet appeared. Part of the material is with

 Manuel, part with Beyer, and some pieces on display at the National Museum…”

“Decoration and form of the Tres Reyes pottery fits the Kalanay complex style very neatly. Several of the diagnostic designs are present plus several variations on these designs, and one previously unencountered element”. (Solheim)

In addition, between this island and the mainland, a sunken Chinese junk of the Sung and Chang Dynasty was discovered by fishermen and recovered by a joint team of the National Museum  and a foreign salvage group. Numerous porcelain plates, jars, skillets and others were recovered.










"Katulad ng pulseras na nahukay sa Gaspar Island (Tres Reyes Is.) ang nakuha rin sa Pamintaan Cave" (Torrijos). Bahagi ito ng naisulat ni Marche tungkol sa Gaspar Island (Los Tres Reyes): 

“Kabilang sa mga alahas na aking nakuha dito, ay isang pulseras na katulad ng nakolekta ko sa kuweba ng Los Tres Reyes. Ang isa ay isang spiral tulad ng isang pulseras na parang ahas, parehong disenyo ng  mga ginagamit pa rin ngayon ng mga eleganteng tao; ang iba ay tinusok, na tila ginagamit ng mga ito na nakalawit sa mga tainga o sa paligid ng leeg; isa sa mga ito ay tinunaw sa isang shell ng pagong… 

“…Tulad ng mga bungo na matatagpuan sa isla ng Los Tres Reyes ang mga ito ay deformed. Nagdala ako ng halos 40, karamihan sa kanila ay walang panga at isang dosenang kalansay o higit pa…” (Luzon and Palawan, AA Marche, English translation from the French by Pura Santillan-Castrence)


Aerial view of the increasing number of houses in Gaspar Island.

With just a few informal settlers many years ago it  now boasts of an elementary school. . The surrounding water of Gaspar Island is a protected marine reserve called the Tres Reyes Marine Sanctuary and may need further protection measures.

Part/s of the island are having a bad reputation as being used as garbage dump.


(To be concluded)

 


Inventory of Marinduque's cultural property, summary list and fast-facts (Part 8)

 Summary List and Fast-facts on new entries in the inventory of Marinduque's Local Cultural Property.



Moryonan Penitential Rite

Location: Mogpog, Marinduque

1*

PANGALAN NG ELEMENTO (Name of Cultural Element)

 

35.   MORYONAN PENITENTIAL RITE



The origin of the festival is traced to Mogpog in the 1880’s when Fr. Dionisio Santiago, the parish priest of said town, organized it for the first time.


In the 1960’s when the outside world came to learn about Moryonan, the late National Artist for Literature Alejandro Roces who made it popular through the media, stated that in accounts of Philippine folk culture there has been no mention of the use of masks except through this practice in Marinduque.


In the distinctive penitential rite moryonan or pagmomoryon, the townspeople of Marinduque wear masks and costumes and roam the streets in the oppressive of summer during Holy Week as penitence, vow, expression of gratitude, and request for something. They are called moryon. The practice also involves the re-enactment of the story of the Roman soldier Longinus, locally called Longhino, who is said to have stabbed Jesus Christ with his spear during His crucifixion. 


Every town in Marinduque now practices the moryonan but the Lenten ritual originated in Mogpog, where the most traditional form of the practice still exists and still is a part of the local church rituals.


The moryonan has become a main tourist attraction in the province, as well as its stronger cultural marker and identity.


Traditional “Bulaklakan” moryons in the municipality of Mogpog are unique and more colourful than the modern-day mask and costumes of moryons found elsewhere in the island-province.

Years ago, “Bulaklakan” morions were given pecuniary benefits whenever they get invited to other towns or places in the big city to perform. This practice has been stopped through local legislation. To safeguard the religious tradition Moryons in this town can no longer accept those invitations, Holy Week or not.


Tubong or Putong Ritual

Location: Various Barangays in Marinduquement)

 36.  TUBONG or PUTONG RITUAL 

The tubong or putong, is a ceremony indigenous to the island of Marinduque, Philippines.  Literally, the  word “putong” means to crown, is a song of thanksgiving, hope and prayer for a long, blessed life.  According to beliefs, the patron saint rejoices at this kind of celebrations and intercedes for the honoree in his wish for long life, happiness and safety from accidents and bad luck. Commonly performed to welcome guests and to wish them good life, health and luck.  It is also done during birthdays, anniversaries, graduations or any special events that a person is thankful of and praying for a blessed path in life.

All around the island of Marinduque, the performance is relatively the same. The “mamumutong” (performers of tubong) wear costumes such as kimona and saya for ladies (like pictured below) and barong for men. They bring with them baskets of fresh flowers, palm leaves and coins. They will sing and dance accompanied by a guitarman.

The ceremony begins as the “mamumutong” or the “manunubong,” gather around the host’s home. As they enter the house, they will explain their purpose and request for host’s hospitality. 

The first part is known as the “pananayawan.” The verses are sung slowly until everybody is in the receiving room. Next, the honoree is seated on a chair (supposedly the throne) at the center of the room or stage and with two family members beside the honoree, each holding a lighted candle. 

Pag-akyat namin sa mahal mong baitang, may dalawang anghel ang aming nadatnan. Tig-isang kandila ang kanilang tangan, sa tamang umaakyat ay tinatanglaw (As we enter your home, there are two angels waiting for us. They have candles to guide us). 

The song’s tempo picks up, as celebration reaches its climax when the crown is placed on the honoree’s head. 

Nang kami ay dumating sa loob ng Herusalem, ang palma ay sa kamay, korona’y sa ulo. Kahimanawari’y magkapantay ito, sambahi’t igalang nitong buong mundo (When we arrived at Jerusalem, palms in our hands, crowns on heads. Hoping that the world will praise and respect them).

The performers shower the  honoree with flowers and coins, symbolizing affection and wishes of good luck and prosperity. During this moment too, the host and other guests throw candies, coins and paper bills to the honoree, as children and adults alike rush in for the bounty. The room will be filled with laughter and scream of happy attendees. It is said that the crown and the coins must be kept for good luck.

The ceremony ends by everybody screaming “Mabuhay!” (long lived!) and with shared meal and drinks offered by the host. It is said that Marinduqueños are the most hospitable people in the Philippines, and the putong/tubong ceremony justifies it more.  A religious and popular ceremony giving identity to the people: The Tubong or Putong.


Tubong Ritual Performers


Church of the Holy Cross

Location: Sta. Cruz, Marinduque

OPISYAL NA PANGALAN (Official Name):

37.         SIMBAHAN NG STA. CRUZ / CHURCH OF THE HOLY CROSS

KARANIWANG PANGALAN (Common Name):

               SIMBAHAN NG STA. CRUZ

LOKAL NA PANGALAN (Local name):

               SIMBAHAN NG STA. CRUZ

The Church of the Holy Cross was built by Jesuit missionaries and was completed in 1714. It is the oldest church in Marinduque. 

Like the Boac Cathedral, it was used by the Anerican forces as their garrison during the Philippine-American War in Marinduque. 

The church has undergone rehabilitation through the years but its retablos, pulpit and ceiling have been kept intact. A brief description of the church appeared in the Filipinas Heritage Library website as follows:

"A careful scrutiny of the Sta. Cruz church leaves an impression that the church was in fact once a fort. The church is laid out using a Latin cross plan with another nave parallel to the gospel flank. The walls of church are of uneven thickness, getting thinner at the upright shaft of the Latin cross plan. The impression then is that the longer shaft was added later. The apse is neither flat nor arched but rather pointed, so too the transept ends. Pillars support the walls but the pillars do not resemble any known classical orders.

"They have no capitals, and their bases are half-octagons laid one on top of the other. These supports are best described as shafts stuck to a heavy base. Two sets of corbels, one on top of the other, are found at the ceiling line. Today, the upper corbels support a ceiling, while the lower corbels a blind balustrade. At the epistle transept near the pulpit, we find a door now covered up with mortar. The squarish church windows are built high, though today these are being made bigger and longer. The windows flare outward, reminiscent of openings of fortifications, rather than inwards as in most churches.

"The sacristy made of bricks is attached to the apse at the gospel side. Of the nave that runs parallel to the main one, this is divided into three empty rooms of unknown use. The facade of the church had been renovated so we cannot say for certain how it looked before. Above the facade is a kingly saint, possibly San Fernando Rey." (Filipinas Heritage Library)


Sta. Cruz Church during the Philippine-American War in Marinduque. Photo from ulongbeach.com


Rare photo of Sta. Cruz Church and its fortress, Marinduque. Also seen in left of the photo is the convent, still standing there today. Taken by Alexander Schadenberg.




Baluarte de Sta. Cruz

Location: Brgy. Bitik, Sta. Cruz, Marinduque


OPISYAL NA PANGALAN (Official Name):

38.    BALUARTE DE STA. CRUZ

KARANIWANG PANGALAN (Common Name):

          Baluwarte

LOKAL NA PANGALAN (Local name):

          Baluwarte

 Built by the Jesuits  in the 18th century as watch tower due to the rampant piratical attacks in Marinduque in those years.

The only stand-alone watchtower still remaining in Marinduque.


Baluarte photos: Santino Latorena




Labanan sa Pulang Lupa Historical Landmark

Location: Pulang Lupa National Historical Landmark, Brgy. Bolo, Torrijos, Marinduque


OPISYAL NA PANGALAN (Official Name):

39.    LABANAN SA PULANG LUPA

KARANIWANG PANGALAN (Common Name):

          Pulang Lupa

LOKAL NA PANGALAN (Local name):

          Pulang Lupa

Victory of Filipino soldiers over U.S. Forces during the Philippine-American War.

On September 13, 2000 the National Historical Institute (NHI) installed a National Historical Landmark (Level I), with legal basis: Resolution No. 6, s. 1991, at the present site in Brgy. Bolo, Torrijos, Marinduque. Marker text:

ANG LABANAN SA PULANG LUPA

DITO NAGANAP ANG MADUGONG LABANAN NG HUKBONG PILIPINO SA PAMUMUNO NI TENYENTE-KORONEL MAXIMO ABAD AT HUKBONG AMERIKANO SA PAMUMUNO NI KAPITAN DEVEREUX SHIELDS NOONG SETYEMBRE 13, 1900. NAGTAGUMPAY ANG MGA PILIPINO SA LABANANG ITO.

SA BISA NG KAUTUSAN NG PANGULO BILANG 260, AGOSTO 1, 1978 NA SINUSUGAN NG KAUTUSAN NG PANGULO BILANG 1505, HUNYO 11, 1978, ANG POOK NA ITO AY IPINAHAYAG NA PAMBANSANG PALATANDAANG MAKASAYSAYAN NOONG SETYEMBRE 24, 1991.


On the Battle of Pulang Lupa that took place on September 13, 1900, Birtle wrote:

“While the Boac garrison cowered, Shields endeavored to maintain some semblance of pressure on the guerrillas, making thirteen expeditions during July and August. None of these operations went more than ten miles from Santa Cruz, which, like Boac, was down to about twenty-five percent of its pre-occupation population. Protected by the people and the island's difficult topography, Abad easily avoided Shields. In August, however, Shields made some headway on the civil front, organizing the election of a pro-American mayor and arresting twenty-five civilians on charges of aiding the guerrillas.

"On 11 September, Shields decided to take advantage of a visit by the gunboat U.S.S. Villalobos. Leaving Lieutenant Wilson and forty-one men to hold Santa Cruz, he loaded fifty-one enlisted men, a hospital corps-man, and his black servant onto the gunboat and sailed to Torrijos, disembarking that evening. The next day he had his first contact with insurgent forces since his company had been on the island, dispersing a band of twenty guerrillas and destroying their cuartel.

"On the thirteenth, Shields led his detachment into the mountains with the intention of returning to Santa Cruz. Well informed about Shields's movements, Abad had concentrated nearly his entire force of approximately 250 riflemen and 2,000 bolomen along a steep ridge overlooking the trail. Shields walked right into the ambush. A fire fight ensued for several hours before Shields ordered a retreat into a covered ravine. What began as a slow withdrawal quickly turned into a race down a rocky stream bed, as the Americans scrambled to escape the pincers that were moving to surround them. After retreating for about three and a half miles, the beleaguered detachment entered a rice field near the barrio of Massiquisie (Masagisi). Here renewed enemy fire forced the Americans to take cover behind some paddy dikes. Shields fell seriously wounded.

"After ordering that a message be passed to the senior NCO, Sergeant James A. Gwynne, to lead the command out of the closing trap, Shields raised a white flag to surrender himself and the other wounded. The insurgents thought the flag meant that the command was surrendering. So too did Gwynne, who later claimed never to have received the escape order, and thus the entire force lay down its arms. All told, the Insurgents killed four Americans and captured fifty, six of whom, including Shields, were wounded. Shields later claimed that the Filipinos lost thirty dead, though this number was never confirmed.

"After months of hiding, Abad in a few short hours had destroyed nearly a third of the entire American garrison on Marinduque.”


Labanan sa Pulang Lupa commemoration on September 3, 2020.

With Provincial Administrator Mike Velasco, Gov. Presbitero Velasco Jr., Philippine National Police (PNP) chief, Lt. Gen. Camilo Pancratius Cascolan, (Guest of Honor), Speaker Lord Allan Velasco, Torrijos Mayor Lorna Q. Velasco and Vice-Gov. Romulo Bacorro, Jr. 



Marinduque Revolutionary Force

Location: Pulang Lupa Historical Site, Brgy. Bolo, Torrijos, Marinduque


OPISYAL NA PANGALAN (Official Name):

40    MARINDUQUE REVOLUTIONARY FORCE

KARANIWANG PANGALAN (Common Name):

          Pulang Lupa

LOKAL NA PANGALAN (Local name):

          Pulang Lupa

 

Historical marker text:

MARINDUQUE REVOLUTIONARY FORCE

After the outbreak of hostilities between the Filipinos and Americans on February 4, 1899, the Marinduque Revolutionary Force, composed of Infantry and Militia Battalions, was organized by Gov. Martin Lardizabal pursuant to the order of Gen. Mariano Trias of the Southern Command. On May 6, 1900, the Infantry Battalion was converted into four Guerilla Units.

When Gov. Lardizabal became ill, the appointed Capt. Maximo Abad as Chief of the Narinduque Revolutionary Force. They defeated the American Forces in the Battle of Paye in Boac on July 31, 1900 and in the Battle of Pulang Lupa in Torrijos on September 13, 1900. On March 1901, Gov. Lardizabal, Capt. Pedro Madrigal and Lt. Gumersindo dela Santa were captured and taken to Manila where they were incarcerated at Fort Bonifacio. This event was followed by the treacherous capture of Gen. Emilio Aguinaldo in Palanan, Isabela on March 23, 1901. On April 15, 1901, Col. Abad and the remaining Revolutionary Force of Marinduque surrendered to the American Forces in Boac.








Sculptural Mural of Labanan sa Pulang Lupa

Location: Pulang Lupa Historical Site, Brgy. Bolo, Torrijos, Marinduque

     


PANGALAN NG ARI-ARIANG KULTURAL (Name of Cultural Property)

OPISYAL NA PANGALAN (Official Name):

40    SCULPTURAL MURAL OF LABANAN SA PULANG LUPA

KARANIWANG PANGALAN (Common Name):

          Mural

LOKAL NA PANGALAN (Local name):

          Mural

 

The Pulang Lupa sculptural mural was created by Apolinario Bulaong of Bulacan. He also did the Gregorio del Pilar bigger-than-life equestrian sculpture that guards the Battle of Tirad Pass historical site, and another mural on the heroism of del Pilar that now stands at the plaza of Bulacan, Bulacan where the national hero came from.

The Battle of Pulang Lupa sculptural mural  was conceptualized by Bulaong with the help of researchers from the National Historical Institute. It is composed of sixty concrete blocks joined together conveying images of the bloody battle that appears to carry a political point of view, as art depicting historical events often does.

Divided into five sets of twelve frames, the first set shows men appearing to be engaged in stockpiling supplies with the use of a carabao-drawn cart as the beast of burden rests under a coconut tree. A sailboat is seen in the background. All these appear to suggest the men's occupation.

The second set of frames shows American soldiers walking right into an ambush with one barefoot Filipino soldier appearing to throw a rock into an enemy riding on horseback while his comrades aim their rifle towards the intruders.

The next frame shows the battle developing into a man-to-man combat with Filipino soldiers gaining the upper hand. The next set shows an American down on his knees with his right arm surrendering his rifle, as local soldiers are seen in the background raising their arms in glee. Half naked men are shown with hands tied up and huddled below a church tower in what looks like artistic license applied profusely.

The last set shows a pile of captured firearms with a Filipino soldier pointing to the items with his bolo. As the captives are led away an eagle spreads his wings to fly and the narrative of imagined images ends there



Detail of the sculptural mural.



Photos: CTTO

(To be continured)