Showing posts with label PUTONG. Show all posts
Showing posts with label PUTONG. Show all posts

Monday, August 7, 2023

Ang pinagmulan ng Potong (orig spelling 1609 ni Morga), later, naging Putong sa panulat ni Rizal mismo (1890)


Marinduque's Gov. Presby Velasco with a putong of nito.


     Not Bruno Mars but a 19th century Tagalog gentleman with original putong

Isinulat ito ni Antonio de Morga sa kanyang Sucesos de las Islas Filipinas,  literally Events in the Philippine Islands, 1609. Isa sa pinakamahalagang panulat tungkol sa kasaysayan ng pananakop ng mga Kastila sa ating bansa.

Sa pagsasalarawan niya stungkol sa kasuotan ng mga katutubo ng Luzon, ito ang sinabi: 

"Nagsusuot din sila ng kapirasong may kulay na tela na nakabalot sa paligid ng baywang, at pinapadaan sa pagitan ng dalawang hita, para matakpan ang pribadong mga bahagi, hanggang umabot ito pababa sa mga hita; bahag ang tawag dito. Naglalakad sila ng nakayapak, walang takip ang mga paa, at sa ulo na walang takip, binabalutan nila ng makitid na tela, na tinatawag na potong". 

{In describing what were worn by the natives of Luzon before the coming of the Spaniards, Morga wrote:

 “ They also wore a strip of colored cloth wrapped about the waist, and passed between the legs, so that it covered the privy parts, reaching half-way down the thigh; these are called bahaques. (bahags) They go with legs bare, feet unshod, and the head uncovered, wrapping a narrow cloth, called potong”.}

'To crown', 'Para Koronahan"

Hinangaan ni Dr. José Rizal ang mga isinulat ni Morga at ini-annotate niya ito, para mabigyan ng higit na paliwanag ang mga naisulat na. Natapos ito ng dakilang bayani natin a Paris noong 1890. Ipinaliwanag ni Rizal kung ano yung "potong". ("Putong" na ang ginamit niya sa pagsusulat).

 Rizal wrote:

“They wrapped it in different ways, now in the Moro style, like a turban without the top part, now twisted and turned in the manner of the crown of a hat. Those who esteemed themselves valiant let the ends of the cloth, elaborately embroidered, fall down the back to the buttocks.
In the color of the cloth, they showed their chieftaincy, and the device of their undertakings and prowess. No one was allowed to use the red potong until he had killed at least one man. And in order to wear them edged with certain edgings, which were regarded as a crown, they must have killed seven men” (Colin). Even now any Indio is seen to wear the balindang in the manner of the putong. Putong signifies in Tagál, “to crown” or “to wrap anything around the head.”—Rizal.


To this, the joyous welcome ritual. 

In Marinduque, where the historic putong (or tubong) has evolved into the practice of performing a happy song-and-dance ritual for a celebrant, an honoree, a special guest, or a family member as a form of thanksgiving.Everyone wishes them the best now and in the days to come. 

Te meaning of the Tagalog word has remained the same - four centuries after Morga wrote it. But it has now evolved into a new form, in celebration of the past, present and future.

Monday, September 16, 2019

Alamin: Mga Intangible Cultural Heritage ng Marinduque para sa UNESCO



Putong/.Putungan

Intangible Cultural Heritage o Hindi Nasasalat na Pamana sa Kultura ang turing sa mga tradisyon o buhay na mga expression na ipinapamana sa mga susunod na henerasyon na naninirahan sa isang komunidad.

Noong 2012, bilang bahagi ng 2003 Convention ng UNESCO ang National Commission for Culture & the Arts (NCCA) sa pakikipagtulungan ng International Information & Networking Centre for Intangible Cultural Heritage in the Asia-Pacific Region (ICHCAP), ay inilimbag ang "Pinagmulan: Enumeration from the Philippine Inventory of Intangible Cultural Heritage (ICH)".

Nasa 335 ICH ang panimulang naisama dito, at 109 ICH ang may mga detalyadong talakayan. Patuloy ang pag-update sa Philippine Inventory upang mapangalagaan ang mahahalagang mga bagay na ito sa bansa.

Noong 2017, ilan sa mga bagong naisama sa listahan ay tatlong uri ng traditional healing practices sa Pilipinas. Kasama dito ang manghihilot at albularyo at ang paniniwala sa ‘buhay na tubig’ ng mga Tagalog ng 20th century Quezon City; ang baglan at mandadawak ng mga Itneg ng Abra; at ang pangagamot ng mga mantatawak ng mga Tagalog ng Marinduque.

Pagdaan ng 2016, ay 367 na ang nasa listahan ng Philippine Inventory of Intangible Cultural Heritage.

Ang mga naisama nang Intangible Cultural Heritage ng mga "Tagalog people ng Marinduque" sa listahan ay ang mga sumusunod:
Moryonan circa 1972

Sa Performing Arts Category:
-          Pasion (Marinduque/Countrywide)
-          Moriones Festival


Pupuwa sa Gasan

Sa Social Practices, Ritual at Festive Events:
-          Putong/Putungan
-          Antipo Ritual
-          Pupuwa Ritual
-          Novicia/Novicio

Sa Traditional Craftsmanship:
-          Morion Head Mask
-          Kalutang Instruments


Kalutang Instruments

Sa kasalukuyan ay kinilala naman ang Moryonan bilang mahalagang ICH na may kinalaman sa Marinduque at pang-Mahal na Araw na mga gawain sa Pilipinas. NCCA ang nagsasagawa ng pananaliksik at dokumentasyon para tiyakin na mapangalagaan ito sa tulong na rin ng kinauukulang LGU’s.

Sources ng mga tala: Pinagmulan: Enumeration from the Philippine Inventory of Intrangible Cultural Heritage; Intangible Cultural Heritage of the Philippines, Wikipedia


Morion Head Masks. Kuha ni Roel H. Manipon/Gridcrosser

Thursday, June 17, 2010

Putong. Unique to Marinduque.

If you've visited Marinduque and have not experienced the "Putong" ritual then you have not been welcomed properly.

It's only a small part of the island culture but with no one from any class of society being exempt to be honored with a crown of flowers (or variations thereof), and leis bestowed upon the individual, it acts as the great island equalizer - all have equal shots at getting his or her crown and be showered with love and wishes for good luck, health and prosperity.

It has been practised in the island of Marinduque - exclusively - for over a hundred years at least. Originally associated with ancient healing rituals that involved the intercession of patron saints, it's now held as a welcome or thanksgiving rite.

In the old days, traditional healing meant the involvement not only of a patient's family but the whole community, natural 'usiseros'. That probably made healing more effective as the combined positive energies of family members and the old folks, identified as 'mamumutong' were formidable forces that a sick person had to contend with.

Healing is impacted in no time at all, for who'd argue that the effect of such love and positive vibrations from all around could by no one be felt profusely? The ritual is, of course, largely spiritual in nature and thus, should be treated that way.

There are numerous versions of the "Putong" (known also as "Tubong" in some local places). The original song-and-dance rituals used to last from 6 hours to a whole day, involving saints and "Maria" whose names must be envoked, followed by drinking tuba, eating and merriment, using candles, floral crowns, incense and coins as props.

The popular version today is said to have been culled - by national artist Lucresia Kasilag, with the help of some school teachers in the early 1960s, from several versions of the Putong sung in Gasan, Boac and Mogpog.

It is one tradition that is guranteed to inspire, uplift and enrich the Marinduque experience of any traveler and for his/her tears of joy to well down the cheeks.